I wanted to be a ballerina or an astronaut.
In my imagination, day after day,
I practiced dancing on the moon.
If there was life on Mars, I would waltz with it.
.
Before the accident, I kept a journal.
I drew pictures of outer Life-Forms.
Creatures with sticky tentacles and multiple
eyes–I drew rock monsters, worms with
intelligence, plasma jellies with attitude–
and all of them had rhythm.
They could salsa!
They could tango!
They could do splits!
.
I learned that dancing on Jupiter is a
challenge. Heavy gas, lots of gravity–
good for slow dancing.
But you can’t jitterbug there.
.
Before I was paralyzed,
my body could do almost anything.
.
I learned movements instantly.
My body was a library of dance styles.
On long interplanetary voyages
I imagined leading the crew in the
Charleston,
the minuet, the merengue, the hula, and
the mashed potato.
.
Wars between rival civilizations
in the dark corners of space
would be averted
because my body
would translate between species–
and one-eyed creatures of one world
would read the words
of ten-armed creatures of another world
by following the movements of my hips.
.
My legs would speak of peace.
My torso would convince
skeptical generals of warlike peoples
that love is a greater conqueror than
conquest.
My body would be a peace treaty.
My limbs would be paragraphs on
disarmament. My eyes would be the
signatures
of diverse universal leaders.
.
And my toes would be the footnotes.